When was guernica drawn




















July: Rebellion marks the beginning of the Spanish civil war. November: Franco bombs Madrid and damages the Prado Museum. Picasso begins work on The Dream and Lie of Franco. April German bombers attack Guernica. Three days later, Franco's troops occupy the town. May 1: Protesters in Paris march in the largest May Day demonstration in the city's history. Picasso sketches preliminary drawings for the mural he will call Guernica.

And everywhere else in this painting we simply see the atrocities of war. Limbs are huge, swollen and wounded. Mouths gape in soundless screams, eyes are wide in terror, brows are furrowed in anguish. A single warrior lies broken and dismembered at the base of the painting, trampled by the death throes of the horse above him. His arm clutches a broken sword, separated from his body. In Guernica we find no solace in humanity—all is death and destruction.

Picasso painted Guernica over the course of just 35 days, a stunning achievement for such a large work, especially one that has made such a mark in history. While Picasso is best-known for his modern, abstract paintings, he still learned to draw and paint realistically at a very young age.

His own style of painting only began to emerge when he was 19 and living in Paris. As Picasso began to experiment more with Cubism, he switched to a limited range of oil paints in muted earth tones. The artist himself was said to use the Sennelier brand of paints which had a stiff texture prized by the Impressionists for its ability to make thick daubs on the canvas and was readily available in Paris at the end of the 19th century. Other non-art objects were pressed into service too: in Guernica , for example, he added pieces of wallpaper for texture, and at other times he mixed sand into his paint, or bits of newspaper.

A typical Cubist painting by Picasso might start out with a Burnt Sienna background and simple painted outline of his subject. In , the Spanish republic asked Picasso to create a large composition for the Paris International Exhibition. This request came just after the most destructive event of the Spanish civil war: the bombing of the small Basque village of Guernica. The commune was destroyed; hundreds had been killed or hurt, all of whom were innocent civilians.

Picasso, who was living in Paris at the time, learnt about the ordeal through newspapers. Deeply moved by the testimonies he read and the photographs he saw, Guernica became his enraged cry against this absence of humanity. Instead, Picasso uses a light bulb surrounded by a glowing halo of luminous spikes.

This symbolises the flames that tore apart the sky during the bombing. The animal has been disemboweled by an arrow and is howling in pain. This is emblematic of the suffering inflicted on the Spanish people by the dictators and German bombers.

Picasso additionally includes a subliminal skull, formed by the nose and teeth of the horse. Pablo Picasso, The Three Musicians. Pablo Picasso, Guitar, Glass, and Bottle. Conservation Picasso's Guitars. Picasso, Guernica. Practice: Cubism and its impact. Next lesson. Google Classroom Facebook Twitter.



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